Monday, May 28, 2012

Podcast Episode 0002

Welcome back to The Rum And Drum Music Podcast.  In Episode 2 we're going to discuss one of the staples of a music act:  The Cover Song.

Covers are a mixed bag.  For classic acts who've disbanded or in the case of those from eras long gone, a cover song or even a tribute band is an awesome way to keep the music of that act alive and fresh in people's minds.  By copying the exact sound and spirit of a bygone act, its almost like they never realy left in the first place.

But we're not going to be covering that here in Episode 2.  No sir, we're going to touch upon a selection of artists who have taken a song, and then reforged it with a life of its own.  The result is that the focus becomes less about the artist performing it than the song itself and how it was adapted to the performer's will. 

My philosophy on these kinds of reinventions has always been that if you are going to cover thge song: own it.  Make it your own.  Don't try ti impress me with your ability to sound like the opriginal, because if I wanted that, I'd just go listen to the source.

So here we go, four songs, eight artists, and a final shot from a legend.

First up is Frankenstien originally performed by the Edgar Winter Group and released on the album 'They Only Come Out At Night'.  The single went on to sell over a million copies in 1973.




In 1991 the thrash metal band Overkill released a cover of 'Frankenstien' on their album, 'Horrorscope'.




Roadhouse Blues was originally released as a single from the album 'Morrison Hotel' in 1970 from The Doors.  It quickly became an intergral part of the group's setlist in the following years.




The cover is performed by the industrial techno-metal band Ministry.  The album 'The Last Sucker' took what was an easy-riding blues song and turned it inside-out.  It delivered a massive dose of nitrous to what would otherwise be a Driving Ms Daisy kind of song.




When I researched Rusty Cage, I was taken aback a bit.  I knew that Johnny Cash and the band Soundgarden had both released their own versions of the song , but I didn't know that Soundgarden originally wrote it.  Released in 1991 on the album Badmotorfinger, Soundgarden's third single from the record became an instant hit.




And then in 1996 Johnny Cash released his version on his album, Unchained, which won a Grammy award for best country album.  Cash's version strips back the distortion and glam of the original song and reveals that Soundgarden's original song was still an epic tune without hiding it under a slew of clever sound production tricks.



Metallica has made itself a household name by churning out more than a dozen top-selling albums, including a fair anount of cover songs themselves.  But Master Of Puppets from the 1986 album of the same name has generated an untold number of followers and admirerers.  In 26 years, the song is still heavy, technically inspiring, and relevant.




The project band Hellsau from Bern, Switzerland only released one album as far as I can tell, but before that happened, they appeared on a Metallica Tribute album called The Blackest Metallica.  Their cover of Master Of Puppets is nothing short of supernatural.


(No Website Available.)

The final call in episode 2 goes out to Johnny cash again.  the track God's Gonna Cut You Down came to my attention in the trailer for the movie remake of True Grit.  I heard it playing in the background and it sent me off on a blitz websearch that brought me to the posthumously released video that's a veritable who's who of celebrity lip synching the tune.  The sound is easily one of Cash's best, and even these many years later it still makes me want to raise a glass to the man in black.




And as always, everything you'll see and hear on The RnD Podcast is available on iTunes (http://www.itunes.com/) and through online retailers like Amazon.com  (http://www.amazon.com/). 

Rock on,

J  \m/

Monday, May 21, 2012

Podcast Episode 0001



The Rum And Drum Music Podcast is proud to bring to you a selection of talented artists who bring the energy needed to reawaken a dormant interest in the Rock'n Roll spirit.

Thanks for joining us.  To start off our inaugural episode, I wanted to give a nod to the classic styles of Rock and Roll that created the rock and metal landscapes we see today.  The super-polished feel of recording productions so common these days is toned back down, leaving a heavy emphasis on a band's style.  They favor emotion and message over exactitude and a blitzkrieg of punishing riffs.
   
However, you won't find any softcore, limp-wristed fret-monkeys here today.  On the contrary, these artists have paid their dues and the proof will be measured by the ringing left in your ears.

First up is the Australian band Spiderbait who steps to the mic with a groovy riff backed by an addictive hook with the track 'Four On The Floor'.  Next is Stone Axe, followed by Clutch, Black Country Communion, Chickenfoot, Monster Magnet...

And speaking of dues, nobody has paid more to the rock machine than the legend himself, Alice Cooper, who dishes out a heavy dose of in-your-face intensity on the track 'Vengence Is Mine'.

That said, I don't want anyone to get the idea we're living in the past here.  Rock and Roll is not dead!
 
I'd like to take a moment to point out that Stone Axe was where the theme for this episode was created.  Once I heard their music, the rest of the talent pool for the first episode just fell into line. 

The band formed in 2007 and they have an unbelievably classic sound i.e. Foghat, AC/DC, Free, and Thin Lizzy.  I could hear traces of Hendrix, Zeppelin, and KISS throughout their album and it was damn hard to choose a single track to showcase their talents. 

I also need to give a hearty shout-out to Pat Krane from the Independent Music Podcast for bringing Stone Axe to my attention.  You can find his show here:  http://www.impcast.com/


And the last call today is from Gogol Bordello.  I triple-dog-dare you to figure out what category they settle into because I sure as hell couldn't.  The 9-man band is a European punk sensation who has more energy in their little fingers than an insomniac 7-year-old on a case of RedBull and Snickers bars.

So sit back and turn up the dials until the speakers start to hum because its about to get loud!

And as always, everything you'll see and hear on The RnD Podcast is available on iTunes (http://www.itunes.com/) and through online retailers like Amazon.com  (http://www.amazon.com/).  So Come support the bands, buy their music, and dust off your finger horns by putting them as high into the air as you can!  \m/

Rock on,

J



First up is the Australian trio Spiderbait with the song 'Four On The Floor' from their album Greatest Hits.



Next is the Washington-born quartet Stone Axe and the track 'Chasing Dragons' from Stone Axe II (Deluxe Edition).


Clutch comes in third with 'Let A Poor Man Be' from Strange Cousins From The West.



Black Country Communion brings us 'One Last Soul' from their self-title album.


Chickenfoot stomps out 'Big Foot' from Chickenfoot III.



Gov't Mule crawls in 'Any Open Window' from By A Thread.



Monster Magnet gives a healthy 'Slap In The Face' from 4-Way Diablo



Alice Cooper has a dish best served cold in 'Vengence Is Mine' from Along Came A Spider.

And our parting shot is delivered by Gogol Bordello who want us to 'Start Wearing Purple' from the album Gypsy Punks.






Friday, May 4, 2012

Another step closer...



Dear avid reviewers and Imbibers,

Just signed up for E-hosting!  What that means for all you non-tech folks is that I now have a place to post the Podcast!  You can find the site at http://www.rumanddrummusic.libsyn.com/

More news as it presents itself,
The Staff

Wednesday, May 2, 2012

In The Beginning...

Dear Blog Reader and Podcast Downloader:

Okay, so this is nothing new.  In fact, it's probably something you've seen a hundred times before and erased after listening to it once.  Only now, you're going to be beat over the head with music that I like to listen to and promptly run my mouth about.

Yup, that's it in a nutshell.

Oh, and I love rum.

Seriously though, the first podcast will roll out in the coming month on a bi-weekly basis and have a theme that will include music and commentary.

I'll (ahem) keep you posted!

Sincerely,
The Staff